DRUSKY
CREDITS
Mixing, Mastering
CAKE & ABSINTH
CREDITS
Mixing, Mastering
PRESS
“Musically the album is very dense and rich; leaving no room for empty space and allowing you to fully encompass yourself in its sound. I’m tellin’ ya, slapping your best headphones on cranking this one up to 10 is going to leave you feeling so many feelings in the best way possible.”
EMILEE ATKINSON, CITY WEEKLY
“Beyond being incredibly relatable, the track’s production was smooth and impressive—the bright and steady guitar accompaniment matching the heavy drum beats and quick-paced vocals made for the perfect, classically alternative melody. ”
JAMIE CHRISTENSEN, SLUG MAG
“Musically the album is very dense and rich; leaving no room for empty space and allowing you to fully encompass yourself in its sound. I’m tellin’ ya, slapping your best headphones on cranking this one up to 10 is going to leave you feeling so many feelings in the best way possible.”
EMILEE ATKINSON, CITY WEEKLY
“Beyond being incredibly relatable, the track’s production was smooth and impressive—the bright and steady guitar accompaniment matching the heavy drum beats and quick-paced vocals made for the perfect, classically alternative melody. ”
JAMIE CHRISTENSEN, SLUG MAG
CREDITS
I’ve been lucky to work with talented artists, bringing their vision to life as a producer, engineer, mixer, and mastering engineer.
SERVICES
SERVICES
Engineering
Mixing
Mastering
Reach out for hourly or project rates. I work out of a few studios so we can talk about options best suited to your project and budget. Send me an email and let’s chat!
Back Porch Audio – Salt Lake City, UT
June Audio Recording Studios – Provo, UT
Willamette Mountain – American Fork, UT
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JOSHUA.N.SNIDER@GMAIL.COM
ABOUT
JOSH SNIDER
I grew up in the PNW, and began playing in bands as a teenager. I started learning how to engineer by recording those early projects. Starting with a portastudio, then an 8-track, to eventually 24-track machines and modern DAWs like Protools, I have learned how to get the best sound in any circumstance. I moved to Utah in 2016 and have been a part of its thriving music scene ever since.
Cutting my teeth in studios like The Hallowed Halls, June Audio, and Willamette Mountain, I had opportunities to work on projects spanning every genre with wonderful producers and artists of all backgrounds. I bring all this experience to the table when working and collaborating with you to achieve your vision. My approach and process in making records centers on the artists and what inspires them; I love listening to references, talking through hare-brained ideas, and trying new things.
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